![]() No major studio got through 2019 scot-free: Paramount’s “Gemini Man” and “Terminator: Dark Fate” bombed, as did Sony’s “Charlie’s Angels,” STX’s “UglyDolls” and a string of Warner Bros.’ mid-budget offerings like “The Goldfinch,” “Richard Jewell” and “Motherless Brooklyn.” Disney’s “Dark Phoenix,” an “X-Men” spinoff the studio inherited after merging with Fox, was another big-budget fiasco that resulted in an estimated $120 million write-down. Universal’s high-profile misfire “Cats” will lose the studio $100 million. However, numerous high-profile flops prevented ticket sales from soaring to new heights in the U.S. ![]() It was a refreshing sign that even amid streaming wars and superhero dominance, new ideas can still be a theatrical draw. Jon Favreau’s remake of “The Lion King” secured second place ($534 million), followed by “Toy Story 4” ($434 million), “Captain Marvel” ($426 million) and “Frozen 2” ($421 million).Įven though the overly familiar remained supreme, Hollywood studios also scored at home with original content such as Universal’s “Us” ($175 million), Sony’s “Once Upon a Time in Hollywood” ($141 million), Lionsgates’ “ Knives Out” ($110 million), Fox’s “Ford v Ferrari” ($106 million) and STX’s “Hustlers” ($104 million). Though domestic ticket sales were down from 2018’s record high of $11.9 billion - the biggest-year-over-year-decline since 2014 - it still represented the second-biggest bounty ever.įor the first time in recent history, the five highest-grossing movies in North America all came from the same studio: Disney. After “Avengers: Endgame,” the top films globally were Disney’s “The Lion King” ($1.65 billion), Disney’s “Frozen 2” ($1.32 billion), Sony’s “Spider-Man: Far From Home” ($1.13 billion), Disney’s “Captain Marvel” ($1.12 billion), Disney’s “Toy Story 4” ($1.07 billion), Warner Bros.’ “Joker” ($1.06 billion), Disney’s “Aladdin” ($1.05 billion), Disney’s “Star Wars: The Rise of Skywalker” ($945 million) and Universal’s “Fast & Furious Presents: Hobbs & Shaw” ($758 million). and worldwide, the 10 biggest movies of the year were either a sequel, remake or based on an existing property. Though it didn’t set an all-time record in the States, it powered past “Avatar” globally ($2.78 billion) to become the highest-grossing movie in history. “Avengers: Endgame” was this year’s biggest movie, earning a staggering $858 million in North America and $2.79 billion worldwide. “We look forward to 2020 when a wider range of studios and filmmakers offer audiences more opportunities for even more moviegoing.” of Theatre Owners president and CEO John Fithian said in a statement. “Through every challenge, through every new technology innovation over the last 20 years, theatrical admissions have been stable and box office has consistently grown,” National Assn. It marks the first time the international box office has exceeded $30 million. Overseas revenues also set a new high-water mark as blockbusters including Disney’s “ Avengers: Endgame,” Sony’s “Spider-Man: Far From Home” and Warner Bros.’ “Joker” drove foreign box office tallies to $31.1 billion. ![]() ticket sales slumped 4.4% to $11.4 billion, international audiences fueled the record turnout. Golden Age of Streaming who? Despite an influx of entertainment options on Netflix, Hulu and now Disney Plus, global box office receipts will surpass $42.5 billion in 2019, according to Comscore, cementing a new industry high.
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